Exploring the Most Iconic Limited and Expanded Palettes in Art History
- Galina Livit
- Mar 26
- 3 min read

Artists throughout history have relied on carefully chosen palettes to create harmonious, expressive, and masterful paintings. While some artists preferred limited palettes for their simplicity and unity, others expanded their color choices for greater vibrancy and depth. Below is an exploration of some of the most famous limited and expanded palettes, who used them, and their benefits.
Famous Limited Palettes
Let's start by exploring some of the most renowned limited palettes used by famous artists
1. Zorn Palette (Anders Zorn)
Colors:
Yellow Ochre
Vermilion (or Cadmium Red Light)
Ivory Black
Titanium White
Who Used It?
Anders Zorn (Swedish painter, 1860–1920)
Many contemporary portrait and figurative artists
Benefits:
Mimics naturalistic skin tones effortlessly
Ivory Black acts as a cool blue substitute
Creates harmony and avoids color discord
Great for portraiture and warm lighting effects
2. The Apelles Palette (Apelles, Ancient Greece)
Colors:
Yellow Ochre
Red Ochre
Carbon Black
White
Who Used It?
Apelles (Famous Greek painter of antiquity, 4th century BCE)
Benefits:
Similar to Zorn but older
Allows for subtle tonal gradations
Limited pigments keep compositions cohesive
Helps create an "old master" feel
3. The Velázquez Palette (Diego Velázquez)
Colors:
Lead White
Yellow Ochre
Red Ochre (or Burnt Sienna)
Ivory or Bone Black
Raw Umber (sometimes)
Who Used It?
Diego Velázquez (Spanish Baroque master, 1599–1660)
Benefits:
Perfect for chiaroscuro and atmospheric depth
Subtle control over warm/cool grays
Great for classical portraiture and muted tones
4. The Classical Flemish Palette
Colors:
Lead Tin Yellow
Vermilion
Ivory Black
Burnt Umber
Titanium White
Who Used It?
Rembrandt, Van Dyck, Rubens
Benefits:
Ideal for rich, dramatic lighting
Strong contrast with deep shadows
Warm golden tones
5. The Reilly Palette (Frank Reilly)
Colors:
Cadmium Red Light
Yellow Ochre
Ultramarine Blue
Ivory Black
Titanium White
Who Used It?
Frank Reilly (20th-century American artist and teacher)
Benefits:
Designed for portrait painters
Systematic color mixing for skin tones
Strong balance between warm and cool colors
Famous Expanded Palettes
Now, let's look at some famous expanded palettes that have brought vibrancy and depth to many masterpieces.
1. The Impressionist Palette (Monet, Renoir, Degas, etc.)
Typical Colors:
Lead White or Titanium White
Cadmium Yellow Light, Cadmium Yellow Deep
Vermilion or Cadmium Red
Alizarin Crimson
Ultramarine Blue, Cobalt Blue
Viridian
Raw Sienna, Burnt Sienna
Burnt Umber
Who Used It?
Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro
Benefits:
High chroma for vibrant outdoor scenes
Focus on optical mixing rather than earth tones
Avoided black to keep colors luminous
2. The Venetian Palette (Titian, Giorgione, Veronese)
Colors:
Lead Tin Yellow
Vermilion
Madder Lake
Ultramarine
Green Earth
Burnt Sienna
Raw Umber
Black
White
Who Used It?
Titian, Giorgione, Veronese, Tintoretto
Benefits:
Deep, glowing skin tones
Perfect for glazing techniques
Rich reds and warm tones for Baroque-style depth
3. The Post-Impressionist Palette (Van Gogh, Cézanne, Gauguin)
Colors:
Lead White
Cadmium Yellow, Naples Yellow
Vermilion, Alizarin Crimson
Cobalt Blue, Ultramarine
Viridian
Raw Sienna, Burnt Sienna
Who Used It?
Vincent van Gogh, Paul Cézanne, Paul Gauguin
Benefits:
Strong, expressive contrasts
Emphasized complementary color relationships
Less focus on realism, more on emotion
4. The Barbizon Palette
Colors:
Yellow Ochre
Burnt Sienna
Raw Umber
Red Ochre
Ivory Black
Ultramarine Blue
Titanium or Lead White
Who Used It?
Jean-François Millet, Théodore Rousseau, Charles-François Daubigny
Benefits:
Earthy, natural tones perfect for moody landscapes
Muted and atmospheric, suited for capturing light and weather effects
5. Sorolla’s Palette
Colors:
Cadmium Yellow Lemon
Cadmium Yellow Deep
Vermilion
Alizarin Crimson
Cobalt Blue
Ultramarine Blue
Emerald Green or Viridian
Burnt Sienna
Raw Umber
Lead White or Titanium White
Who Used It?
Joaquín Sorolla (Spanish master of light and movement)
Benefits:
Vibrant, high-contrast colors perfect for light-infused compositions
Excellent for capturing movement and dramatic shifts in lighting
Which Palette Should You Try?
Here is a great guide on Painting With a Limited Palette
Since my painting style blends atmospheric landscapes and textural expressionism, these palettes might suit my work:
Barbizon Palette (for earthy, natural tones)
Venetian Palette (for deep, glowing textures)
Sorolla’s Palette (for light and movement)
Exploring these palettes will help refine my use of oil and cold wax while maintaining color harmony and expression. Which palette resonates with you? Let me know your thoughts!
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